On That Note: We Are ‘3’ Together: Part 2 of 3

David Bowie comes back like a beast after the brilliant, dark times in Berlin.


The final Police album, choked full of brilliant songs.


Yes come back from the dead by embracing Trevor Rabin and New Wave.


Smashing Pumpkins tighten up the songs and Billy Corgan kranks up the inner child angst.


Liz Phair proves girls can get angry and write tough rock songs.
 
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“Emergency Third Rail Power Trip”
Rain Parade
1983

For a month or two, I might have listened to this more frequently than “Murmur.”

Rain Parade was part of the loosely categorized “Paisley Underground” of the early ‘80s. I was getting into some music by then-current bands that had elements of ‘60s psychedelia. I still find the album cover fascinating.

I think RP’s subsequent work is stronger, after the band developed its identity, but the group split by mid-decade. Co-founder David Roback, went on to launch Mazzy Star, which had some success in the late-‘80s/early ‘90s.







 
“Life’s a Riot with Spy vs. Spy”
Billy Bragg
May 1983

One of my friends who introduced me to R.E.M. also was heavy into Billy Bragg. This is Bragg’s debut, although I didn’t hear it until a year after release.

In the early stages, BB's recordings were strictly singing & electric guitar, no full band. "Life's a Riot" sounds as fresh to me today as it did at the time. It's more relationships-oriented than some of his other work that's more political/social — not a bad thing, he does that well, too, it's simply a different element).





 
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1983
Lionel Richie All Night Song (single)


One of those songs you hear at a party, recognize you've heard it before and like a lot, and wonder: "Who is that?"
 
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My education in American folk music basically started with Nanci Griffith's 1993 album Other Rooms, Other Voices, and it's successor Other Voice Too (1994)--introducing me to an array of great songwriters and songs I had not known before.





 
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